The graphs below show the total percentage of films released and the total percentage of ticket

The graphs below show the total percentage of films released and the total percentage of ticket sales in 1996 and 2006 in a country. Summarize the information by selecting and reporting the main features, and make comparisons where relevant. Write at least 150 words hay nhất giúp bạn có thêm tài liệu tham khảo để viết bài luận bằng Tiếng Anh hay hơn.

The graphs below show the total percentage of films released and the total percentage of ticket

Đề bài: The graphs below show the total percentage of films released and the total percentage of ticket sales in 1996 and 2006 in a country. Summarize the information by selecting and reporting the main features, and make comparisons where relevant. Write at least 150 words

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 1

The given bar charts detail the summarized proportions of four different genres of movies released and their ticket sales in 1996 and 2000 in a particular country.

As can be seen from the charts, drama and comedy were the most popular among both producers and movie-goers. While the creation and consumption of fantasy, comedy and drama increased significantly, the pattern of romantic movies was different in the given time.

Regarding the propotions of movies released, drama climbed noticeably, from 25% to 35% in 4 years, which continued to be the most produced type in 2000. Meanwhile, the proportion of romance remained unchanged, at 5% in the given period. This figure was a quarter of the percentage of comedy released in 1996, which grew to 25% after 4 years. At the same time, fantasy films slightly increased by approximately 5%.

In 1996, most consumers opted for comedy and dramatic movies, with their sales being 20% and 16% respectively. Then, these proportions marginally rose to 23% and 17%. An increase was also witnessed in the fantasy genre, from around 3% to over 5%. On the contrary, romance experienced a downward trend, from 5% of ticket sales to 2%.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 2

The bar charts illustrate the release of four types of movies and their tickets sold in the cinema in a nation in two years: 1996 and 2000.

Overall, more drama films were shown than any other type, but comedies were the audiences’ favourite; meanwhile, romance movies were the least popular.

Regarding the movies released, the percentage of dramas was by far the highest, at slightly over 25% in 1996, followed by comedies, at 20%. Fantasy films accounted for just over 10%, twice as high as the figure for romance films, at around 5%. By 2000, drama movies saw a significant rise, reaching 35% of all films. Comedy and fantasy films experienced moderate growth, reaching 25% and 15% respectively. Interestingly, the proportion of romance movies stabilised.

Turning to ticket sales in cinemas, comedies enjoyed the most popularity. In 1996 and 2000, slightly more than 20% of viewers opted for comedies. While the rise in the sales of drama films was not obvious from about 16% to some 17%, fantasy films saw a twofold increase from approximately 3% to around 7%. There was a sharp decrease in the sales figure for romance films from 5% in 1996 to only around 2% in 2000.  

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 3

The bar charts compare the proportions of various film genres released and the corresponding cinema ticket sales in one country, over a period of ten years, specifically in 1996 and 2006.

Looking at the first chart, it is apparent that drama was the most released film genre in both years, though its percentage significantly dropped from approximately 35% in 1996 to around 30% in 2006. Comedy films, which stood at roughly 30% of the total in 1996, experienced a slight increase by 2006, making up nearly a third of the movies released. Conversely, the fantasy genre showed a marked increase from about 7% to 10%, while romance films saw a marginal decline in their release percentages during the same period.

The second chart provides information on ticket sales, where once again, drama leads in both years. However, its dominance declined from around 22% to just over 15%. Comedy's share of cinema tickets sold mirrored its release percentage, increasing from close to 20% to about 23%. Ticket sales for fantasy movies also grew, doubling from around 5% to 10%. Romance films, while constituting a smaller fraction of ticket sales than releases, followed a downward trend, slipping from about 10% to a minor 5%.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 4

The bar charts provide information about the proportion of films launched across four different genres and their corresponding ticket revenue in two distinct years, 1996 and 2006, in a particular country.

Overall, while drama, comedy, and fantasy films exhibited positive growth in their movie releases, romantic films saw their proportions stagnating throughout the years. It is also worth noting that despite ranking second in film output, comedy stood out as the highest-grossing genre in both provided years.

Looking first at the breakdown of film releases, drama films led the way, accounting for around 27% of releases in 1996. Comedy films closely trailed behind at nearly 20%, with fantasy and romance films making up 11% and 5%, respectively, of the films launched that year. 4 years later, the consistent increases in the film releases of drama, comedy, and fantasy coupled with the stable pattern of romance films made the pecking order remain unchanged.

In terms of ticket sales, in 1996, comedy films were the most favored, commanding 20% of ticket sales. Drama films followed suit with approximately 16% of tickets sold, while romantic and fantasy only appealed to a small audience with rather negligible percentages of ticket revenue (5% and 3% in the order given). In 2000, comedy and drama films experienced upticks in popularity, with the former seeing its ticket sales rising to 23% and the latter 17%. Having a similar trend, albeit more pronounced, fantasy film ticket revenue almost doubled compared to 4 years ago, accounting for 6% of the ticket sales and surpassing romance to claim the third spot. The significant growth in the aforementioned film genres sales was counterbalanced by the considerable decline in romance film performance, with its sales plummeting to a mere 2% in the final year, making it the least chosen genre.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 5

The diagrams illustrate a country’s distribution of the four most popular film genres and their box office revenue between 1996 and 2000. Overall, drama dominated the release scene, while comedy reigned supreme in terms of ticket sales in the given period. Despite the general surge in production and audience demand across all film genres from 1966 to 2000, romance remained the least popular and profitable genre.

In terms of the publishing of films, the drama genre constantly led the chart from 1996 to 2000, with the most noticeable growth of around 10%, accounting for more than one-third (35%) of national films released by 2000. Similar growths were recorded for Both comedy and fantasy films in the given period, with the percentage of released comedy movies rising from 20% to 25%, while the figure for released fantasy movies climbed from 12% to 16% by 2000. By contrast, the romance genre defied the pattern by remaining stagnant at roughly over 5%, making this type of film to be released the least by 2000.

Regarding the sales of cinema tickets, comedy films were the best-sellers, with 20% of ticket sales in 1966, followed by a rise to nearly 23% in 2000, retaining the top position. The drama genre, which consistently held second place throughout the given period, witnessed a slight increase from 16% to 17% of tickets sold by 2000. While fantasy film ticket sales tripled to about 6% in 2000, the figure for romance movies halved to merely 2% in 2000 from its roughly 5% share in 1996, making it the least profitable genre.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 6

The given column graphs compare the percentage of four genres of films released with their respective sales in 1996 and 2000. It is interesting to note that even though more drama than comedy films were released, the sales of comedy films was the maximum in both the given years.

Out of the four genres of films, drama films took the lead as approximately 27% were released in 1996. This was followed by comedy at nearly 20%, fantasy at 11% and romance at 5% being released in that year. In 2000, the proportion of drama, comedy and fantasy films increased, but the release of romantic films showed stability.

As far as the sales are concerned, comedy films were the most popular with 20% tickets being sold in 1996. Drama films followed with approximately 16% tickets sold. Romantic films saw sales of 5%, whereas fantasy films were the least popular with about 3% of tickets being sold. In 2000, drama, comedy and fantasy grew in popularity, with ticket sales picking up in all three genres, but the genre of romance saw a sharp drop to about 2%.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 7

The bar chart illustrates the proportions of movies released and their box office records of a country in two different years.

Overall, there was an increase in the share of drama, comedy and fantasy films, with that of drama consistently being highest, while the figure for romance was always lowest and remained unchanged. Furthermore, an increasing percentage of revenue from selling tickets was seen in dramatic, comedic and fantasy, and comedy films dominated the cinema market in the period examined.

In 1996, drama was the most dominant film genre regarding percentage of releases with slightly over 25%, closely followed by comedy at 20% while fantasy and romance were roughly 10% and 5% respectively. Four years later, the figure for drama took a jump to 35% and remained the most prominent out of all categories. The rest of the genres except romance experienced a similar upward trend.

On the other hand, comedic motion pictures were the most watched type, with 20% of total tickets being purchased in 1996 and almost 25% in 2000. Drama ranked second, in which its figures were approximately 15% in both years. Fantasy and romantic films were consistently unpopular throughout the years, with their percentages revolving around the 5% range.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 8

The following bar charts illustrate the overall proportions of films released, categorized by four distinct genres, and their respective ticket sales in a particular nation in 1996 and 2000.

By and large, the percentage of drama, comedy, and fantasy films increased, while the release of romantic films remained stable. Notably, despite a higher number of drama films released, comedy films consistently had the highest sales in both provided years.

To specify, regarding the release rate of the four different genres, initially, the data for drama films led the chart at over 25%, followed by that of comedy at exactly 20%. Meanwhile, the figure for romance was bottom charted at slightly over 5%, being half compared to fantasy. It is also noteworthy that in 2000, the statistics for drama movies witnessed the biggest increase to a record-high of 35%. At the same time, that for comedy and fantasy shared the same 5% rise while the rate of romance titles remained unchanged.

Turning to the proportion of cinema ticket sales, in 1996, the data for drama and comedy constituted around 15% and 20% respectively, by far higher than the other genres with no more than 5%. In the following four years, that of drama and comedy increased while the former was more marginal.

Strikingly, ticket sales for fantasy well-doubled to approximately 7%, overtaking the data for romance whose figure saw an opposite trend in comparison.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 9

The charts illustrate the percentage of film releases by genre and their corresponding proportion of ticket sales in a specific country in 1996 and 2000.

Overall, there was an increase in the total number of films and ticket sales in all genres, with the exception of romance, whose share of film production witnessed no change, but ticket sales declined. In addition, both drama and comedy were dominant in terms of film releases and popularity.

Taking a closer look at film releases, in 1996, 26% of all films made were dramas, higher than the figure for comedies, at 20%. In 2000, the former genre held its position as the most produced genre, with its figure increasing to 35%, while comedy followed closely with 25% of releases. Regarding the two remaining genres, the proportion of fantasies was initially double that of romances, at 12% and 6% respectively. In 2000, while the former experienced a moderate rise to 16% of all releases, that of the latter remained unchanged.

In terms of box office performance, in 1996, audiences went to see comedies and dramas the most, with these genres accounting for 20% and 16% of ticket sales respectively. As for the two less popular genres, only 5% of total ticket sales were for romance films, slightly higher than fantasy's 3%. Four years later, comedy and drama still maintained their positions as the two most viewed genres, with their ticket sales increasing to 23% and 17% respectively. Meanwhile, a significant growth to 7% was witnessed in fantasy's ticket sales, eventually outpacing romances, whose sales saw a decline to 2%.

The graphs below show the total percentage of films released and the total percentage of ticket - mẫu 10

The bar graphs delineate the proportion of film manufactured and the percentages of ticket sales in one country in two years, from 1996 to 2000.

Overall, the most significant film released could be seen in drama films, while romantic films bucked the trend throughout the period. It is also noticeable that the highest percentage of ticket sales was related to comedy films over the years.

More specifically, the data for drama films ranked first at over 25%, followed by comedy and fantasy with 20% and nearly 13%, respectively. In general, over the next 4 years, the percentages for these types of films witnessed an increase at 35%, 25%, and 17%, respectively, whereas the romance films stayed relatively stable throughout the period.

Regarding the remaining features, while the proportion of drama films accounted for the most types of film released, the total ticket sales of comedy films stood out at the top at 20% in 1996. In addition, while the types of drama, comedy and fantasy films rose significantly over the next period, the opposite was true for that of romantic films at lower than 3% in 2000.

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